placing the gesture, instrument, sound at the centre of permutations, decentralising movements but staying resolutely at centre. the subject is coloured and held under different light, constant composite gesture. instrument is removed, the difficulty of ratifying body and instrument. the instrument as a measure of breath and health; that state at that time, the inaccuracy and impossibility of measurement.

i will move a line with ease, but I can also find resistance. the resistance makes sound when air is pushed through the clarinet at a certain rate, a certain pressure, and then we can separate the pressure, and separate the sound. this effort can be visible or invisible, but it comes from the body, which can become tired. this is a new composition of clarinet and movement.

eschschloraque, berlin